Lust
by Geoff Ryman
Publisher: St. Martin’s Griffin, © 2003
Paperback: 400 Pages
ISBN: 0-312-31212-1
Genre: GLBT Fantasy
Rating: 5 of 5
Imagine discovering that you have the power to create a temporary copy
of anyone in the world, alive or dead—and they will be yours to
command. You can make them desire you, work for you, tell you their
deepest, darkest secrets. What would you do with such a gift? Or is it
a curse?
This has become the reality for Michael Blasco, a mild-mannered
research scientist. When he first conjures up a copy of his hunky gym
instructor on a train platform, Michael fears for his sanity. He
quickly realizes, however, that the copies are every bit as real as the
original, complete with intelligence and awareness—at least while
they exist. With just a thought, Michael can end their existence as
easily as he brought them into being. Once they are gone, nothing
remains of them except Michael’s memories.
While he first sees it all as a sort of game for his own amusement, as
time goes on, Michael begins to wonder why he has this strange ability.
The book takes a more serious turn as Michael searches for answers and
explores the morality of the situation.
What at first seems to be a wet-dream come true gradually turns into a
nightmare as Michael realizes that there are consequences to his
actions with the copies. His long-term relationship is crumbling, he
neglects his research project, the originals seem to retain some memory
of what their copies do, and not all copies appreciate being brought
back from the dead.
Lust is an
amazingly original and thought-provoking concept. It could have turned
into a prurient tale in the hands of a lesser author, but Geoff
Ryman’s strong writing more than pulls it off. The story both
entertains and causes us to think about the consequences of our
actions. I had a little trouble getting into Ryman’s style, but
about a third of the way into the book it really takes off and I was
left holding on for the rest of the ride. Ryman brings historic and
well-known characters to life with shocking plausibility. I especially
enjoyed the visits from Billie Holiday and Pablo Picasso. Knowing a bit
about both of them, I believe Ryman truly caught their spirit in their
portrayals.
Once you adjust to his style, Ryman’s writing is simply stunning.
His word-pictures are so accurate and vibrant that you feel as if you
are seeing the story instead of just reading it. In turns humorous and
touching, the book brings everything together by the end for a
wonderfully satisfying read. I highly recommend this book. |
Storyteller
by Amy Thomson
Publisher: ACE, © 2003
Paperback: 372 Pages
ISBN: 0-441-01094-6
Genre: GLBT Science Fiction
Rating: 5 of 5
In a culture that places so much emphasis on visual images,
storytelling is almost a lost art. Storytelling was once a major part
of our cultural heritage, and still is in many parts of the world. On
the rather primitive planet of Thalassa, Storytelling is an art,
Storytellers are highly valued, and among the Storytellers, the elderly
woman known simply as Teller is the most revered of all. Passing on the
oral history of their planet, offering morality lessons cleverly guised
as humorous fables, and entertaining the crowds that gather to hear
her, is her life. It may be a solitary life—just she and her
harsel (large, sentient whale-like creatures who communicate
telepathically) traveling from island to island on the many oceans of
Thalassa—but Teller likes it that way...or so she believes.
When a young, homeless orphan boy is caught stealing a loaf of bread in
order to pay Teller for her story, Teller intervenes on his behalf and
offers him food and a job serving as her guide while she is in the
city. Samad cautiously accepts her offer, but he has learned not to
trust kindness from strangers. Teller decides to help Samad find a
family, but quickly the two outsiders bond, and when the time comes to
give him up, neither is willing to walk away. After much
convincing—both from Samad and Abeha, the harsel—Teller
reluctantly agrees to take Samad on as her apprentice.
As Samad develops into a master storyteller, he also hides a secret
from Teller. He is attracted to his own sex, but he is afraid to tell
her for fear he will lose the only family he’s ever known. Little
does he know that Teller hides an even bigger secret, one that could
change his entire world.
At its heart, Storyteller is
a tale of family, of a child’s need to please his parent while
trying desperately to become his own person. Teller has hopes and
dreams for her adopted son, but they aren’t the same as
Samad’s. He finds himself caught between the plans he’s
made for himself, and the plans Teller has made for him—plans
that could affect the future of all of Thalassa.
Amy Thomson’s writing is wonderfully evocative, drawing me in
from the first page, and keeping me hooked until the last. She brings
her imagined world lovingly alive with her words, and makes you care
deeply for Teller, Samad, and Abeha—and even for Thalassa itself.
Her story is both accessible and moving, staying with me for weeks
after I finished it. She has created a unique and complex ecology,
complete with a rich and believable history behind it. Thomson has
proven to be a master Storyteller herself. |
The Salt Roads
by Nalo Hopkinson
Publisher: Warner Books, © 2003
Hardback: 304 Pages
ISBN: 0-446-53302-5
Genre: GLBT Fantasy
Rating: 5 of 5
Mer, a healer and midwife, is an African slave on a sugar plantation on
Saint Domingue (renamed Haiti in 1804). Jeanne Duval is an Afro-French
dancer and courtesan living in Paris—and the mistress of
19th-century poet Charles Baudelaire. Meritet is a Greek-Nubian
prostitute in fourth-century Egypt, better known to the world as Saint
Mary. Something connects these three women across the span of
time—something larger than any of these women could ever suspect.
When three Caribbean slave women, led by Mer, come together to bury one
of the women's stillborn son, their powerful grief and prayers call the
attention of Ezili, an African-Caribbean goddess. Using the unused life
force of the dead child, Ezili moves back and forth across time,
possessing and working her will through various bodies.
Jeanne is one of the goddess' most frequent vehicles, mainly because
Ezili finds herself inexplicably tethered to the beautiful French
dancer. She is free to inhabit other bodies only when Jeanne, slowly
dying of syphilis, is in a deep dream state. Ezili plants the seeds of
revolution in Saint Domingue through Mer, and sends Meritet on a
pilgrimage to Jerusalem.
What all these women have in common is salt—in all its various
forms. Whether the salt of tears, the salt of the ocean, or the salt of
sweat, the goddess travels the Salt Roads to accomplish her goal. The
question is "What is her goal?" Not even Ezili fully understands at
first, but as she grows more powerful, and comes to know the many
aspects of herself, all is revealed—both to her and the reader.
Author Nalo Hopkinson beautifully weaves her stories together in a
broken narrative, jumping back and forth through time and between
characters. Some readers may have a little difficulty finding the
rhythm of her storytelling, but the reward for their perseverance is
great. Hopkinson writes in a flowing, sensual, sometimes poetic, style,
but her rich use of history keeps the book grounded in realism. While
the stories of the three women are often heartbreaking, Hopkinson
skillfully breaks up the sometimes heavy narrative with light touches
of humor sprinkled throughout—the way a good chef uses salt.
Ultimately uplifting and filled with hope, The Salt Roads is a beautiful
book—one that stays with you long after you close the cover. The Salt Roads is the winner of the
2004 Gaylactic Spectrum Award for Best Novel. |